Steven Tyler Sings Rita Ora’s Praises, Crashes Her Yahoo Interview



Steven on Rita: 'Finally someone that can sing.'American Idol Season 11 is close to naming its winner, but judge, Aerosmith lead singer Steven Tyler is singing the praises of another budding artist who isn't a contestant on the popular reality show.Friday, Tyler crashed a Yahoo! Music interview with Jay-Z's new protégé, Rita Ora, to greet the U.K. singer who is making her U.S. debut. When Tyler noticed Ora sitting on a bench in the garden of a swank West Hollywood hotel, he stopped by to say hello. Tyler was among the music industry A-listers at Ora's showcase Thursday night at the Viper Room.
Tyler said Ora was a great new artist because "she can sing," he said matter-of-factly, before adding, "Finally, someone that can sing."

Tyler said that Ora had what it takes to be a contender on "American Idol." "Oh my God. That's all I ever looked for was someone that could sing, carry a melody, because that's the it of it all," he said. "That's how you climb inside of people with rhythm, but also melody. And you got it."

"American Idol" contestant Elise Testone goes home without regret
Tyler said he loves Ora's new song "How We Do (Party)" and its video then began singing the chorus that interpolates the Notorious B.I.G. song "Party And Bullsh*t."
Tyler and Ora, who were excited to learn that they were staying at the same hotel, also talked fashion accessories, comparing notes on their rings.

"You're beating me in the ring game," Ora said, teasing Tyler.
But Tyler was impressed with Ora's taste. "Oh, look it, Loree Rodin?" he said as he pointed to one of Ora's pieces from the famous designer who made Michelle Obama's inauguration jewelry.
Last week, Ora released the video for "How We Do (Party)," her first U.S. single, a fun pop record reminiscent of Katy Perry. The song is quickly moving up the top 40 pop charts.
In March, Jay-Z walked Ora into radio stations to preview her music. Her first U.K. release "RIP" was written by Drake and features U.K. rapper Tinie Tempah, and her "Hot Right Now" collaboration with DJ Fresh has more than 18 million YouTube plays.
Ora has worked with will.i.am, The-Dream and Ester Dean on her forthcoming debut album.
 

Never-Before-Seen Pics of Marilyn Monroe Released



By now, you'd think the world has seen every picture of Marilyn Monroe in existence and heard every story there is to tell about the iconic actress, who would have turned 86 on June 1. But the June issue of Vanity Fair proves there's more Marilyn scoop to be had, even 40 years after her death. The magazine has published a set of six never-before-seen suggestive pictures of the star taken by photographer Lawrence Schiller (who was 23 and went by Larry Wolf back when he took the pics) during a legendary poolside photo shoot.[Related Content: Actresses Who've Played Marilyn Monroe (Photos)]
It was 1962 and Schiller, on assignment for Look magazine, captured a near-naked Monroe as she frolicked by a shimmering swimming pool. In one photo, she holds a towel to her chest as she climbs out of the pool, smiling softly at the camera, one leg pointed towards the sky. But before you start assuming that the male photographer talked a vulnerable Monroe into shedding more than she wanted to, check out some of what Schiller reveals in an adaption of his memoir, Marilyn & Me: A Photographer's Memories, excerpts of which are included along with the photos in Vanity Fair.

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Resident Evil 6 dated for November 20

The writing's been on the wall for a new flagship installment in Capcom's Resident Evil franchise for some time now, and today, the publisher pulled the trigger on that announcement. Resident Evil 6 will be available for the Xbox 360, PlayStation 3, and PC on November 20.


Resident Evil 6 will feature a split plotline, though bioterrorism remains the motif. In the US, Leon S. Kennedy joins the president of the United States 10 years after the events that defined Raccoon City, ostensibly to offer the truth on what actually happened there. However, in the midst of this revelation, bioterrorists attack, converting the president into a lurching undead.

On the other side of the world, Bioterrorism Security Assessment Alliance member Chris Redfield touches down in China, which is in the midst of its own bioterrorism outbreak. Resident Evil 6 will be the first installment in the franchise to feature both Redfield and Kennedy, and Capcom noted that new characters will also be introduced in the game.

Development on Resident Evil 6 is being led by Hiroyuki Kobayashi. The developer has previously received producer credits for a number of Capcom's titles, including Resident Evil 4, Killer7, and Dragon's Dogma.

Prior to today's announcement, Capcom had posted to a countdown teaser site for the game, NoHopeLeft.com. That site now directs to a YouTube page featuring Resident Evil 6's first trailer, which can be found below.


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SoulCalibur: Broken Destiny Review

Up until now, Tekken has been the only massive 3D fighter to arrive on the PSP. Years ago when Tekken: Dark Resurrection arrived on the PSP, I praised it for being a superb game that brought the very same console experience into the portable world, complete with a story mode, endings, and all. So with SoulCalibur: Broken Destiny on the way, I expected to see that same kind of treatment. And while Broken Destiny delivers in many areas, it fails in one critical aspect...


...That aspect is a proper story mode that comes complete with individual endings. A mission-based mode called The Gauntlet serves as this game's core experience and quite frankly it's pretty terrible. Essentially the game pits you against numerous rivals, but instead of full fledged fights, you have to carry out specific tasks/requirements that are displayed on the screen in order to progress. Now, each one of these "missions" lasts, on average, about five seconds, with a select few going as much as 20. These "missions" will often require you to dodge an attack, block an attack, block then counter an attack, or dodge then counter an attack. Needless to say, these mission requirements are pretty repetitive and tire quick. Sure there's a mildly amusing story behind The Gauntlet, but it's not nearly amusing enough to play the mode for.

Now, as far the gameplay transition from console to handheld goes, SoulCalibur: Broken Destiny does everything just right. Just like how Tekken: Dark Resurrection found its way flawlessly onto the PSP, you can expect that same level of quality from Broken Destiny's battles, complete with its superb fluidity. In total, over 30 fighters are found in the game, one of which is Kratos, in addition to an all new fighter Dampierre. Kratos is one of the heavier pushes for Broken Destiny, as he is actually the most prominent figure on the game's box art.

Of course, naturally, Kratos was my first pick to fight with, and it felt absolutely fantastic to kick some ass with him. He retains all of his signature attacks from the game, and they're particularly awesome to pull-off, too. Also, thanks to Sony, Namco-Bandai had the proper help when integrating Kratos into the SC universe. In fact, from what I was told by a Namco rep, the Kratos model in the game is actually the same one found in God of War: Chains of Olympus, which is very cool.

Character customization has been largely carried over from SoulCalibur IV, which means you'll be able to put your creativity to good use in the game, so feel free to create an all new fighter, or edit an existing one to your liking. But another complaint to address here is that Broken Destiny doesn't offer nearly as many unlockables as SCIV did, beyond extra items for the character customization. And while I understand this is a UMD game, it's not like Broken Destiny comes loaded with CG endings and cut-scenes for every character. And it's not like unlockables take up that much space anyways.

I will say this much, for the general Quickplay matches, SoulCalibur: Broken Destiny is fantastic. The fighting mechanics are still some of the most polished out there, and it really does make for a terrific fighter. But if you're looking for rich gameplay modes that you can play over and over to unlock cinematics and such, this isn't your game. Modes include Quickplay, Trials, The Gauntlet and Multiplayer, which is limited to two-player Ad-hoc, so no online gameplay here like you'd get with the console games.

Now, in my hands-on preview of the game last month, I had to rant about a certain aesthetic choice that Namco has veered towards, and I will regurgitate what it was I said...You see, it seems like ever since the apparent demise of the Dead or Alive franchise, Namco-Bandai have felt the need to fill in an overly-exaggerated-bouncing-breasts void that this industry most certainly did not need in the first place. I'm no morale God. Hell, I love me a curvy woman...I just prefer that woman to be real. I just feel extremely embarrassed to be playing a videogame where nearly half of the polygonal count on nearly half of the characters is in their chests. It continues to perpetuate a stereotype that this industry needs to get rid of; a stereotype that calls gamers lonely, geeky, virgin losers. Forgive my bluntness, but that's just simply the perception a majority of people still have of us.

With that rant out of the way, at least when you're playing on the PSP, you don't have to feel so embarrassed, because chances are nobody's going to notice the ridiculous details put into the female fighters, thanks to the screen size, unless they're standing and watching right over your shoulders. So you can enjoy the game for what it is, a great fighter. Yes, even though I just went on a quasi-diatribe, there's still no denying that SoulCalibur games are terrific playing fighters that have kept many coming back for years. And beyond the questionable aesthetic choices, Broken Destiny is actually a damn fine looking PSP game, boasting great character detail, beautiful backgrounds, fluid animations, a great framerate and other sharp visual touches.

If you've been playing SoulCalibur games for a while, you know precisely what to expect from the sound. The audio consists of the following SC franchise necessities: the battle announcer, fighters with voice actors who boast quickly before the fight, and a soundtrack that closely resembles the tunes of past SC games. Broken Destiny does all of this with ease, as you'd expect, and also gives you the ability to use Japanese voices. There's nothing really monumental to the sound of the game, as I've pretty much covered all there is to it.

In all honesty, if you're looking for a fighter and don't have a copy of Tekken: Dark Resurrection for PSP, I'd just go and buy that instead of Broken Destiny, especially since Tekken can be had for cheap. SoulCalibur: Broken Destiny isn't a bad game, it just feels extremely barebones in many areas, despite boasting one of the all time best mechanics for a 3D fighter. Once this hits the $20 mark, I'd spring for it - otherwise, leave this one alone for now, there are other fighters out there for the PSP.

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Gran Turismo Review

A collective holy sh*t has probably dropped from every last one of you guys reading this. Or maybe not. Yes, you're looking at a Gran Turismo review that has scored, for the first time ever, nowhere near the practically perfect grades we've graced this franchise with since day one. Okay, maybe some of you have read some of the other reviews out there and are aware that something has gone really wrong. Well, first off, allow me to preface the remainder of this review by stating that Gran Turismo for the PSP has, allegedly, been in development for five years. I say allegedly, because I'm certain that the development cycle for the game had been temporarily sidelined numerous times in between all of the work Polyphony had to do for the PlayStation 2 and PlayStation 3. Gran Turismo's development was most certainly not a continuous effort of five years...and unfortunately, it shows.


Now, after re-reading this review, it definitely comes off harsh, but with good reason. Gran Turismo PSP is a flawed game. But, on the other hand, I still had a lot of fun with it, as at its core, GT PSP is still very enjoyable, accessible, and fun game. I put in tons and tons of hours into the game just making money and collecting cars, which is one of the purposes of GT PSP. Many of these cars are transferable, allowing you to sync GT PSP to GT5 and transfer cars you've bought or won into your PS3 game. Again, GT PSP is a very fun game. But a "fully specced Gran Turismo", Kazunori Yamauchi said, this is not.

The first major disappointment came when I realized the tiny little size of the game file Sony had forwarded me. 937MB? Gran Turismo 2 was a PlayStation 1 game and it boasted two separate discs, essentially making it a game worth 1.2GB. Okay, so I held out hope. So the game boots up, and immediately I run to the dealership to look through the list of amazing cars, only to realize I can only choose between Bugatti, Bentley, Chevy, and Polyphony. "Oh," I said, "Sony must've sent me a demo file accidentally. Oh, those crazy guys, I'll just contact them agai...what? This is normal?" You see, as the days cycle in-game, the dealerships you can browse through change, as do the cars you can buy.

Allow me to explain in a bit more detail. When you boot up the game, you'll have four dealers to access and 100,000 credits to spend on a car, which is a gracious sum. Once you buy a car, you can participate in a few events. As the days roll on in the game, a new set of four dealerships will be made available to you. But, just because you can access a Nissan dealer, doesn't mean you can have the ability to buy any of their cars. No, no. If you don't see a GT-R or a 300ZX TT, you have to wait until the next time Nissan becomes one of the four dealers you can shop at and see if the assortment of cars features the ones you want. Yes, it's that complicated, confusing, and stupid.

Some of you may say, "but Arnold, why didn't you mention this in your GT PSP hands-on preview? Why is this such a shock to you?" Because when I played Gran Turismo PSP a few months ago at a New York City event, I recall being able to sort through a complete listing of every car in the game, through every single make; none of this four dealers only bullcrap. So to see this absolute lunacy on my PSP, in a game I had so long waited for made me livid, quite frankly, as I'm sure you can tell by the tone of this diatribe.

But things get worse, as GT PSP commits the ultimate sin, in my eyes. No customization. Sure, you can enter the game's Quick Tune menu and adjust suspension components such as camber, toe, ride-height, spring rate, and damper, but that leaves the other half of the gearhead spectrum (the straight line guys) alone in the dark. Yes, you can add some horsepower to your car, but you can only do it for drift trial mode. And you're not actually adding any components, you're just increasing a little slider that adds up to 20% more power to the car you're in.

Honestly, I could sit here and ramble about how utterly stupid this is. GT has always been about taking a car and making it faster, in some cases, absurdly fast. I've spent dozens and dozens of hours in GT4 just taking random cars that I like in real life, buy every little component for them to see just how much of a difference it makes around a specific track and in the 1/4 mile. GT PSP has taken all of that away from me, and has left me with an open-ended single-player mode that allows me to choose a car, track, set the number of laps (1-120) and race on it against three others. Yes, the total number of cars per track is not eight or even six, it's four, including you. And once you win a race, you earn prize money, and then you have the ability of racing that same track three more times. You see, the first time you race, you race it on an easy difficulty rank called D. Once you win, you can race against C-rank racers, then B, and then A.

The game boasts a total of 800 cars, but only 200-250 of those are actually unique models. And there are 35 tracks, with a total of 70 different layouts and variations. Unfortunately, there are some key tracks missing, most importantly, both Special Stage Route 5 and 11, series staples. I've also noticed that no aesthetic changes have been made to real life tracks such as New York City, to reflect their modern day changes. For example, the New York City track in GT4 depicted an area of Manhattan known as Columbus Circle (the roundabout portion), back when GT4 was developed and released, the area was under a lot of construction, so understandably the in-game track reflects that with cranes and such all around the area. But, five years later, Columbus Circle is brimming with beauty as the Time Warner building has been long finished...but unfortunately, the in-game track shows none of that detail, and instead looks precisely as it did in GT4. This tells me someone was forced to take away Polyphony's attention to detail and, in turn, forced to maybe...rush the game in time for the PSP Go launch?

I'm not quite done, yet, though. You see, beyond the standard races are also the Driving Challenges, which are nothing more than License Tests in disguise, and are not a requisite here. Although, taking 15 minutes and completing a few set of challenges will unlock the custom soundtrack feature, and they are strangely addictive, as well. Moreover, they're good for accumulating a ton of money in a relatively short time-span. And if you really dig the challenges, upon completing them, the game will reward you with a whole new bonus set.

Lastly, the multiplayer here is...well, disappointing. There is no online to speak of. None. Not even a meager two player battle. You're limited to four-player Ad-hoc, which is great and all, but finding someone, let alone three others, with a PSP and a copy of the game directly next to you is very unlikely. And I highly doubt you'll be making an event on Facebook inviting any would-be competitors to a multiplayer session at your house. Beyond a few new tracks and Professional physics loosely based on GT5's, Polyphony added little-to-nothing to make this GT feel fresher and revised.

Visually, the game looks really great. It's running at 60 frames per second and boasts some really nice car models for a handheld title. It's not quite Gran Turismo 4 caliber stuff, but if the framerate was brought down to 30, it probably could've been. Regardless, beyond the slick car models and super framerate, do lie some visual issues. Seams break up and textures and polygons all over the screen frequently, and it's more noticeable in some stages than others. These seams are white lines that run across various parts of the stages, flickering about. Also, there is no light emitting from the brake-lights of cars, as it's just a red and flat texture that gets drawn on when you hit the brakes...cheap. Moreover, the rims are two-dimensional and paper-flat when in a race, which I thought ended with GT4, but I guess PD couldn't get even that going on the PSP. Again, all in all, this is a very good looking game, but it does fall short in a lot of places I didn't expect it to, and it kind of takes a lot away from the overall look and feel. Shame.

The audio is acceptable, and you can hear that Polyphony put in a decent amount of work into the sound, especially when the PSP is running through an external speaker of some sort. The standard soundtrack is pretty good stuff, but the ability of a custom soundtrack is what I love most. Sound effects such as tires screeching and crashes are pulled right out of GT4, which is good and bad. It's good since they weren't that bad sounding to begin with. But it's bad because, well, not being bad doesn't mean they couldn't be improved on or made to sound a bit newer or fresher. Also, I noticed that a lot of the cars don't quite sound like their actual counterparts, as their engine and exhaust notes don't roar like they should - I mean honestly, a Ferrari Enzo sounds like a wind-up car in the game. The American V8s sound burbly and nice, but a lot of cars with defining characteristics in their engine/exhaust notes are missing said characteristics.

As you can see, I'm one of the few critics who isn't annoyed with this game for its lack of an expansive Career mode. Quite frankly, to me, the career is there with the open-ended single-player races. What bothers me is the lack of the fundamentals, the very basic and general things that have made Gran Turismo such a superb game. Yes, the physics are great, yes there's a ton of cars and tracks, and yes, despite all of these drawbacks the game is still quite a bit of fun. But this is a game that could've been perfect, it could've been the epitome of handheld to console ports, but instead it continues the age-old pessimism of handheld iterations of console blockbusters being nothing more than stripped down quick-flings. If there was one brand, one developer, one game franchise to end that stereotype, it should've been PlayStation, it should've been Polyphony, and it should've been Gran Turismo.

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Premier Manager 2012 (After 1.01 Update)

Football loving PC gamers don’t realise how lucky they are. For the past 20 years they’ve had access to a series of consistently brilliant management games, allowing them to experience the challenges, joys and frustrations of managing a top-level football club. But what about console gamers? Sure there have been attempts in the past, and pretty good ones, but there’s also been a lot of yawnsome toss. So up steps Premier Manager 2012, aiming for the top corner.


But early reviews were fairly negative, pointing out that the time each game took ruined the flow of the game. Well, we held fire on our review, gave it some extras hours and waited for the inevitable update. And sure enough, version 1.01 has arrived with a key change that might just rescue Premier Manager from an embarrassing early cup exit at the hands of Burton Albion.

Your first sessions with the game don’t give you much hope. The menus themselves are similar in design to the PS3′s XMB and finding the options you need can be tricky while you learn your way around. It’s also sometimes difficult to work out how to do various things; even advancing to the next day took 5 minutes to figure out after the first time I ventured away from the home screen. The controls are oddly mapped as well, with the circle button advancing the game and R1 bringing up the main menu – when we’re used to circle taking you back, it’s weird having to use it to advance the game.

But once you’ve taken the time to work out how everything works, it’s easy enough to zip through the menus, setting your team up and hunting for players to improve your squad. The transfers themselves are easy enough to carry out, although the searching options and transfer process is extremely streamlined, giving you only the basic options. Match tactics are a similar story, with a few options easy to change (formations, attacking bias, passing style) but impossible to fine tune, but this in itself isn’t a huge issue. Console gamers generally aren’t after the same experience as PC fans, and if you’re used to playing games in bursts of an hour or so then this slimmer structure will suit you perfectly.


Something that makes life harder is the background music. It’s bad. Really bad. Not in the same way as being forced into a 24 hour Robbie Williams-athon, just in a very repetitive, boring “please stop” way (actually that is the same thing…). If the option was there to listen to your own background music from the XMB then it would make Premier Manager a very relaxing experience, combining laid back and casual management with some music time, but there isn’t. You can turn the music off totally (phew) but it’s not the ideal solution, especially considering there must be plenty of system resources available while the game is running. The rest of the game’s sounds are functional bongs, swooshes and more bongs that do a job but will hardly pick up awards, so it’s probably worth just turning the sound off completely and putting the radio on.

But what of the matches themselves? Well, they’re slow. Even with the match speed set to “Fast” you’ll be watching each one for good couple of minutes, and the engine used to watch each game isn’t exactly flushed with detail. The pitch view is too small to be helpful, and the commentary is just a list of shots, bookings and goals. Hardly enough to judge how the match is going. They’re a bit of a waste of time really, and apart from making the odd substitution you might as well use the saving grace that 1.01 offers: the “Result Only” option.

After updating, you can now head into the menu and turn on an option that allows you to skip the match completely and just see the result. You still get to see stats of the game and player ratings, so you can see if your new signing is performing or if the new formation worked out well. You just don’t need to sit and watch a game play out that you can’t, in any way, speed up sufficiently or have much control over.

It’s a game changer. Instead of sitting down and playing a few matches you can now rattle through half a season easily in one sitting. The limitation of the game are still there; they haven’t changed the music, added more depth or found any official licenses hiding down the back of the sofa, but the flow of the game has increased considerably, even if it detaches you a little from the action.

But then there’s the issue of the price. If Premier Manager 2012 had a bargain price tag it would be easy to recommend to people after a bit of light-hearted, accessible managing, but it’s £13.99 which, by PSN standards, is a chunky request. And is there really enough here to spend that much money on? I’m not sure. It’s not a bad game by any means, but if you’ve got access to a reasonable PC then there shouldn’t be any competition on which way to look. It’s one of those games where someone asks you if it’s any good, and you just shrug and say “yeah it’s alright, not bad, not great…”. Worth looking into if you really fancy some management on your PS3 (especially with the new update) but it’s a lot of cash if you’re just a bit intrigued.

So Premier Manager 2012 got past the tricky 1st round tie, but ended up losing on penalties to Walsall. Maybe next year, eh?

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Start the Party: Save the World

Adding the word “party” into the title of a game is generally not a good omen. Trying to aim a game at the whole family is a harder task than opening a walnut with nothing but your forehead, so when Supermassive Games came up with Start the Party: Save the World they had a sizable task in making sure it didn’t fall into the oh-so-regular family trap of turning into something totally pointless. Did they manage it? Well… no. Not really.


When the Move was announced, a lot of people were concerned that the market would be flooded with shallow games, mimicking the Wii’s huge library of titles with no objective other than to flap your hands about the place for a few minutes at a time. Save the World takes a few steps to make its mini games a little more skillful, but there’s still nowhere near enough here to warrant rushing out and handing over your hard earned cash. It doesn’t really fare too well from the start, where you’re greeted with a main menu that gives you the choice of Options, and Solo or Group Play. There’s no difficulty settings or extra bonus items to aim for, but if the games are great fun then we could look over that happily enough.

But jumping into the games doesn’t really help much due to just how mixed the results are. With the general theme of Dr Terrible (steady with the imagination…) and his cronies doing everything to get in the way of the World and its day to day running, the mini games generally follow the theme of saving people from nasty situations. There’s no specific order to play them in, and each game is given a voiceover by a cheesy American guy to explain what’s going on and how you can help, so you don’t need to memorise how each game works. From here you’ll be drawing clouds, controlling a helicopter, repairing robots and several other tasks using your trusty Move controller. And while some of the mini-games are really well made, others are just a bit random and frustrating.

A couple of games have you using the Move as a drawing tool, by doing such things as drawing clouds to bounce falling cavemen into caves, or drawing huge laser circles around aliens to blow them up. These games work very well indeed, with the accuracy of the Move helping to make it a quite skillful set of games. Another favourite of mine was the ambulance game, whereby you balance an injured person on a big hand sticking out of an ambulance as it goes up and down hills and over speed bumps. You’ll need to collect first aid kits as you go, and doing so means you sometimes need to throw your casualty around and catch it carefully. It’s good fun at first, but it’s not hard to get the hang of it and once the challenge is gone, it loses its appeal.

This is a problem with many of the games. A few are fun for a while, but the challenge just doesn’t last. Others are just plain repetitive – having to clean, repair and extinguish robots on a production line is interesting until you’ve played it a couple of times, then you won’t go back to it. A second player can make things a bit more enjoyable; using the Sixaxis controller you can generally control something else within the game to make life trickier for the main player, which makes flicking fish into a boat slightly harder when player 2 is moving the boat around the place. But this isn’t all of the multiplayer action you can expect.


So, it’s a party game. Many of the games aren’t great on your own, but surely with a few friends it all picks up? Sadly that’s not really the case. There are a couple of game modes to play with your fellow gamers – Group Play and Quick Fire. They’re both pretty similar; Group Play just lets you play a few games, hand the Move over to someone else and see who gets the highest score. Quick Fire is basically the same, but you only get a short time on each game before it quickly moves on to the next which, for parties, is probably the best bet to stop your viewers waiting for too long. It’s the same set of 20 games you’ve got available in single player, and there isn’t really much of a party element other than taking it in turns.

So Start the Party: Save the World falls into that trap that so many have fallen into before. It’s not really a party game, although it is a game that kids might find entertaining for a couple of weekends. Considering you can pick it up for a touch over £10 it might not be a terrible bet for the kids, but it’s disappointing that Supermassive didn’t do more here, especially considering it’s the second game in the series. Yes a handful of mini-games are entertaining, but it’s not enough to recommend.

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Get Up and Dance

Dance games eh, can anyone remember a time when they weren’t around? Ok so anyone who can remember a time before the Wii probably can, but now they’re a regular feature across all three main consoles and it’s getting increasingly difficult to ignore them. But with so many now on the market it takes something special to stand out from the crowd and get noticed, and with Get Up and Dance O Games have tried to inject something new into a busy market. It’s a shame it isn’t really enough to wow you.


Leaning firmly towards entertaining a few friends at once Get Up and Dance allows you to boogie along to any of the 30 songs provided either alone or with a few mates. While the options are there to dance alone, it’s the group dance modes that shine the brightest, giving you options to either do one off dances or starting a short career in front of a set of talent judges. It’s easy enough to settle on a lead dancer and assign others as backing dancers, giving a slightly more authentic feel to other “everyone do the same” type games. The odd thing is the choice of songs on offer, where the mixed bag is hoping to please everyone. In reality, in the same way a radio station that’s a mix of Radio 2, XFM and Kerrang would only please the most eclectic of music fans, the selection of songs in Get Up and Dance won’t please everyone all of the time, and you’ll probably only find a couple that you actually genuinely like. It’s not every day you find Pulp, Dusty Springfield and Jessie J on the same menu. As a result it’s probable there’ll be a small argument about song choice, resulting in your little sister sulking when you refuse to dance to Taio Cruz.

Other game modes include an interesting fitness option, which gives you a month-long set of dance exercises with the intention of knocking a few pounds off, but each dance is so lightweight it won’t really do much to anyone except the most doughnut-quaffing fatster, so it’s really an option for someone looking for a longer term game mode to keep them interested. Sadly, with the other game modes being fairly standard fare you’re unlikely to find any real longevity anywhere other than this, and you get the feeling this will find a spot near the back of the game shelf next to the other “party” games that only come out at Christmas, birthdays or any other time where Nan has had an extra sherry and wants to shake her stuff.

This dance is accompanied by the winners of The Gormless Factor 2011

Technically it’s sound enough; the Move integration is tight and responsive, and goes some way to show me just how bad I am at dancing. The idea of playing the music video in the background to make you feel like you’re really dancing in a show doesn’t really work when you end up looking like Mr Bean at a disco, although the younger gamers might find this a nice touch. It also doesn’t help that the little icons telling you what to do come a little later than would be helpful, and falling over is more of a certainty than a worry. It goes well with the Mr Bean look.

So, it’s another dancing game. Another dancing game that does its best to be something new, but all things considered just… isn’t. It works, and isn’t a bad game as such, but when there’s so much else on the market that does the same thing it’s just very hard to give a firm recommendation. If you can pick it up cheap, have a few friends to play with (who each need their own Move controller) and enjoy dancing to every style of music this side of opera, then you might just click with it and have a ball. Otherwise it’s difficult to see where Get Up and Dance fits into a market busier than your average Pussycat Dolls gig.

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Craig Ferguson Gives Rose Byrne a Lap Dance on ‘The Tonight’

We kind of think Craig Ferguson was just waiting for an invitation on ‘The Tonight Show’ (Weeknights, 11:35PM ET on CBS). He was sitting on the couch while Jay Leno was talking to Rose Byrne about her experience working on ‘Bridesmaids.’

When Byrne started talking about how Kristen Wiig took the ladies out for a night of bonding, that wound up at a male strip club, Leno started really probing her for details.

“Oh, don’t act like you’ve never been there,” Ferguson said to him.Craig Ferguson Gives Rose Byrne a Lap Dance on 'The Tonight Show'

Leno was asking if they were facing toward her or away from her, wanting an idea of how they straddled her. When Byrne started trying to explain, Leno asked Ferguson to demonstrate, and ‘The Late Late Show’ host was more than happy to oblige.

He Tweeted about it shortly afterward. “Aw crap. I just gave Rose Byrne a lap dance on the Tonight Show. I may have gone too far,” he wrote, adding the hashtag #creepyscotsman.

Well, Ferguson is okay with being kind of creepy on his own show, so why not ‘The Tonight Show’ as well?
 

The Tree Of Life Movie Review by Ian Nathan


For his fifth film in 40 years, you wonder whether magisterial slowcoach Terrence Malick took stock of his recent output — such abstruse meditations on war, colonialism, and the ineffable fabric of nature as The Thin Red Line and The New World — and felt it was high time he brought a halt to this worrying slide into crass commercialism. After six years chewing over a bit of Heidegger with his Weetabix, and smothering his intentions in a blanket of secrecy like an impenetrable hybrid of J. J. Abrams and J. D. Salinger, he has summoned forth a dizzyingly impressionistic study of family life that doubles as a vaulting enquiry into the very nature of the universe and the possibility of God.

Kubrick’s 2001 comes close, but Malick’s philosophy pines for the salve of love and spirit, and comes light on psychotic super-computers. Even the hardy concept of dialogue falls prey to his exquisitely aloof vision. Against the constant murmurings of nature, we catch only odd lines and whispered voiceovers querulously calling to a hard-of-hearing deity: “Where were you?”

In other words, the kind of highly personal filmmaking where we must first pass though the dawning of time — literally nebulous bodies billowing cloudlike against the black veil of the universe; raw planets spewing gas and lava, primordial pools fecund with boiling matter; sparks of life in the nuclei of swarming cells, dancing proto-fish spinning lightwards, and a wounded plesiosaur on a desolate beach as a meteor strike scours the surface clear for the birth of mankind — before we get to what is commonly referred to as a scene. Cycles of life and death on a cosmic scale contrasted with the intricate dynamics of family.

Actually, instead of beginning at the very beginning, the film kicks off in the mid-1960s with news of the death of R. L. (Laramie Eppler), our protagonist Jack’s (Hunter McCracken) brother, aged only 19. How he died remains elusive, but Malick’s younger brother is reputed to have committed suicide at 19. This shudder of grief will reverberate like a meteor crash through the film, stirring the first of so many questions: what does the loss of a loved one mean against the backdrop of eternity? Much, it transpires.

It is this unshakable heartache, as bitter as the taste of a madeleine is sweet, that casts Sean Penn’s grown-up Jack down a Proustian time tunnel from the metallic canyons of present day Houston, by way of the aforementioned Creation, to the sun-softened enchantment of his childhood. Jack and his two brothers (all three actors wonderfully naturalistic unknowns) are nurtured in an Edenic youth recalled via an organic pulse of ‘memories’: fragments of story, grace notes, wisps of emotion, the odd flicker of Lynchian weirdness. Together an uncanny distillation of how human memory stirs its keeper, awash in Malick’s transcendent imagery: light cascading through leaves, the kiss of a breeze on wild grass, filigree curtains billowing through window frames, dogs running wild.

Theirs is a harmony held in balance by the opposing poles of their parents. A luminous, angelic mother (Jessica Chastain), made holy by the exaltation of Jack’s recollection, bestows a lilting ideology: “The way of nature and the way of grace. You have to choose which one you follow.” She is exemplified as grace. While the astonishingly mature Brad Pitt as Jack’s terse patriarch — a soul damped down by quashed aspiration, veering between brutal discipline and astringent love — espouses the doctrine of nature: nothing can be achieved without will. Even without the scaffolding of story, this is a sublime evocation of the tides of ecstasy and torment flowing through an American boyhood.

Malick conducts his five editors the way great composers conjure art from thin air, creating an unforgettable symphony of beauty, introspection, and wells of unabashed feeling. And to accompany such cinematic inspiration, not for this director the dreadnought snarls of Nickelback, but extracts of Couperin, Berlioz, Brahms, Mahler and Bach, interposed with Alexandre Desplat’s yearning score. The very execution poses its own spiritual enquiry — how can such beauty be created in a meaningless void?

The result is so disarmingly unironic, and therefore open to mockery, it’s easy to see why it was met with a chorus of boos from Cannes’ sincerity-phobic critics. Sure, at times it lifts off too far, becoming too remote and self-involved to fully grasp. And the closing images of Sean Penn blundering across a metaphorical beach in his sodden Armani suggest a potential afterlife as drunkenly off-kilter as that rum-do at the end of Lost.

It is equally clear why The Tree Of Life landed the Palme D’or — against the brute attack of modern cinema it feels heaven-sent. A film awestruck by life: why are we here? What are we for? Where did it all go wrong? And where could it yet go right? Malick doesn’t pretend to have actual answers. But then neither, one suspects, does Transformers 3.
 

Bridesmaids Movie Review by Anna Smith at Empire

Anchorman, Superbad, The 40 Year-Old Virgin… Producer Judd Apatow has helped make the last seven years a lot funnier. Meanwhile, fans of mainstream female-focused comedies have mostly been offered insipid J-Lo vehicles and Sex And The City movies. Thankfully, Apatow has turned his attention to the fairer sex, although most members of this bridal party are far from coy. Kristen Wiig’s Annie has a blunt wit, a regular fuck-buddy (Mad Men’s Jon Hamm) and could drink Bridget Jones right under the table. She also has a tendency for self-doubt and a problem with organisation, both of which come to the fore when she’s asked to play Maid Of Honour for Maya Rudolph’s Lillian.

Co-writer Wiig has created a heroine with bitterly funny, relatable character observations and a genial, down-to-earth performance. Annie is no clotheshorse tripping in her heels, nor is she man-obsessed. She may go for the wrong kind of guys but her main concern is a female friendship, and it’s this that makes Bridesmaids stand out from the regular chick-flick crowd.

Lillian’s engagement is a wake-up call for Annie, casting a spotlight on her singledom. The last thing Annie needs is an immaculate rich bitch upstaging her at every opportunity. Enter Rose Byrne as Helen. The mistress of the backhanded compliment, Helen’s always on hand with a patronising comment about Annie’s bridal party preparations. She also gives the nervous flyer something to calm her down on a plane, leading to the film’s funniest scenes.

At its best, Bridesmaids is proper, laugh-out-loud, sides-clutching, grin-at- your-mates funny. The airplane scenes see a sky-high Annie trying to sneak into first class to join her friends, even failing in her attempts to insult the air hostess. Meanwhile, each character has a subplot building, including Megan (Melissa McCarthy), who’s confidently cracking onto a man she’s convinced is an air marshal. When these strands come together, it’s explosively hilarious — just like the bridal shop scene where the girls get sudden, debilitating food poisoning. Like many a guys’ comedy, the film isn’t afraid to flirt with gross-out, but doesn’t throw in toilet humour for the sake of it. It makes it relevant to both plot and character and, just possibly, funny to women who normally hate that kind of thing.

Regular Apatow fans will be on the floor at this point, and that’s another thing that makes Bridesmaids unusual: it appeals to men too. Yes, a lot of the humour revolves around female rituals and neuroses, but the writing’s strong enough to bridge the gender gap. It’s no surprise this has been compared to The Hangover, a buddy-wedding-comedy that drew fans from both sexes. Bridesmaids even has its very own Alan in Megan, the outspoken, overweight and somewhat deluded sibling of the groom.

It’s a shame, then, when Bridesmaids shoehorns in a romance, even if it is with the lovable Chris O’Dowd. Playing a kindly cop, O’Dowd provides a shoulder for Wiig’s character to cry on but their scenes cost the film its pace. Even Matt Lucas (Annie’s flatmate) feels like he’s wandered in from another film, albeit a very funny one. Still, while Bridesmaids isn’t perfect, it does have moments of comedy perfection. And precious little in the way of Manolos.
 

Julian Pavone is World’s Youngest Professional Drummer


Guinness World Records has recognized a U.S. boy as the youngest professional drummer. Julian Pavone was certified as of March 21, 2010, when he was 5 years 10 months and 3 days old, Guinness announced Tuesday.

The rules for London-based Guinness say a drummer must play on at least one commercial record and be paid for the work. The drummer also must have given at least 20 concerts of 45 minutes or longer within five years. Julian is 7 and lives outside Detroit.

His drummer-father, Bernie Pavone, said Julian’s percussion background dates back before birth. “I used to play music on my wife’s stomach all the time when she was pregnant with Julian,” Guinness quoted the father as saying.

Julian has appeared on about 150 television and news shows, including “The Oprah Winfrey Show,” “Good Morning America,” “Martha Stewart,” “The Maury Show,” “FOX News Dayside” and “Inside Edition.”

The previous record holder was Tiger Onitsuka of Japan, who was recognized at age 9 years, 9 months.

Source : cbsnews.com
 

Obama Publicly Backs Means-Testing Medicare

WASHINGTON - President Barack Obama formally acknowledged on Friday that he would support a plan to means-test Medicare as a part of a deal to raise the nation’s debt ceiling.

“I have said that means-testing on Medicare, meaning people like myself — I’m going to be turning 50 in a week, so I’m starting to think a little bit more about Medicare eligibility — but you can envision a situation for somebody in my position, me having to pay a little bit more on premiums or co-pays would be appropriate. And again, that would make a difference,” the president said at a press conference. “What we are not willing to do is restructure the program in the ways we have seen coming out of the House in recent months.”


The comment was the first public acknowledgment from the White House that the president would support changing the payment structure of the entitlement program. Prior to Obama’s remarks, multiple sources in both parties told The Huffington Post that the administration was making it clear to debt ceiling negotiators that such a structural change to Medicare was on the table.

The proposal is not entirely controversial among health care economists. But it will rankle a good chunk of the president’s own party, which has sought to keep Medicare’s structure as a basic insurance program. Medicare premiums for doctors and for prescription drugs are already means tested. Making top earners pay even more — while potentially sound policy — opens the program to politically potent charge that it is health care welfare for lower income Americans.

The Obama administration’s embrace of the idea came during talks between lawmakers and Vice President Joseph Biden. The exact contours of what was proposed are not entirely clear. But a version that House Majority Leader Eric Cantor (R-Va.) proposed in later discussions would have saved the government an estimated $38 billion by charging those high-income beneficiaries 10 percent more for the cost of hospital stays and prescription drugs.

Obama’s nominal support for means-testing Medicare, however, does fit into the larger outlines of his plan for the debt ceiling debate. In an effort to both win the support of Republicans and tackle as many deficit-contributing issues as possible, the administration has placed entitlement programs like Social Security and Medicare (“sacred cows” for the Democratic Party) squarely on the table. The president also lent his support to a plan to raise the eligibility age of Medicare from 65 to 67, over the course of roughly 25 years. His team has, additionally, discussed various changes to the way in which Social Security benefits are measured and paid.
 

Mexican authorities find massive marijuana plantation


Tijuana, Mexico (CNN) — Hidden between tomato stalks, the Mexican army found what officials describe as the largest marijuana plantation in the nation, a top military official announced Thursday.

Gen. Alfonso Duarte Mugica said the plantation six hours south of Tijuana is 168 times larger than the soccer field in Mexico City’s Azteca Stadium. It spans for 120 hectares (about 300 acres), he said.Mexican authorities find massive marijuana plantation

Tomatoes growing there hid marijuana plants that were up to 2.5 meters (8.2. feet) tall, Duarte said. Authorities detained six people this week during the operation to seize the field, which is located in the area of Ensenada, Baja California.

The takeover means drug traffickers will not receive 1.8 billion pesos ($153 million), he said, apparently referring to an estimated sales value of the crop. Duarte said 250 soldiers will destroy the drugs seized within the next week.

Since Mexican President Felipe Calderon’s administration began in December 2006, officials have destroyed more than 83,251 hectares (206,000 acres) of marijuana, according to a report from the country’s defense department.
 

3 US ships in Vietnam to train with former foe


DANANG, Vietnam (AP) — Three U.S. Navy ships were welcomed Friday by former foe Vietnam for joint training, despite China’s irritation following weeks of fiery exchanges between the communist neighbors over disputed areas of the South China Sea.

U.S. and Vietnamese officials have stressed that the seven-day ship visit and naval training are part of routine exchanges planned long before tensions began flaring between China and Vietnam in late May. China has criticized the port call as inappropriate, saying it should have been rescheduled due to the ongoing squabble.

The U.S. visit, however, did send a message that the Navy remains a formidable maritime force in the region and is determined to build stronger military ties with smaller Southeast Asian countries.

“We’ve had a presence in the Western Pacific and the South China Sea for 50 to 60 years, even going back before World War II,” Rear Adm. Tom Carney, who’s leading the naval exchange, told reporters. “We will maintain a presence in the Western Pacific and the South China Sea as we have for decades, and we have no intention of departing from that kind of activity.”

He spoke on the pier in central Danang, once home to a bustling U.S. military base during the Vietnam War, in front of the diving and salvage ship USNS Safeguard. American and Vietnamese flags flapped in the steamy air from the ship, and two guided missile destroyers — USS Chung-Hoon and USS Preble — were visible off the coast.

The two navies will hold exchanges involving navigation and damage control along with dive and salvage training. No live-fire drills will be conducted.

Vietnam and China last month both announced their navies held such maneuvers individually in the South China Sea after relations hit a low point when Hanoi twice accused Beijing of hindering oil exploration within Vietnam’s economic exclusive zone.

China responded that Vietnamese boats had endangered Chinese fishermen in a different area near the contested resource-rich Spratly islands, claimed all or in part by both nations and several others.

Tempers appeared to be cooling after Chinese and Vietnamese officials met last month and announced they would work to negotiate a peaceful resolution. But Vietnamese state-run media and a border official on Wednesday accused armed Chinese soldiers of attacking and chasing a Vietnamese fishing boat near the disputed Paracel islands claimed by both countries.

The Philippines has also recently sparred with China, alleging similar interference with its energy exploration efforts in the South China Sea. The U.S. last month conducted similar joint naval exercises that included live-fire drills with the Philippines, a treaty ally.

On Monday in Beijing, top Chinese Gen. Chen Bingde criticized his U.S. counterpart for going forward with the exercises in Vietnam and the Philippines, calling it bad timing in light of the ongoing spats. Adm. Mike Mullen, chairman of the U.S. Joint Chiefs of Staff, defended the decision saying the exchanges were pre-planned.

“I don’t know when an appropriate time would be for these kind of activities, which are designed to promote friendship and cooperation,” Carney said from the Vietnam pier. “But I don’t think there’s ever a bad time to do those kind of activities.”

Washington has said that the South China Sea, home to major shipping lanes, is in its national interest. China, which has an expanding maritime influence, has designated the area as a core interest — essentially something it could go to war over. Worried smaller neighboring countries have looked to the U.S. to maintain a strong presence in the region.

“The U.S. has made its point and will continue to do so if pressed, but does not appear to be looking for a fight with Beijing on this issue,” said Ralph Cossa, president of Pacific Forum CSIS, a Hawaii-based think tank. “It is not likely to heed or back down as a result of Chinese ‘warnings,’ however, which will likely make Washington feel more compelled to respond.”

The current U.S. visit to Vietnam involves about 700 sailors and builds on the first postwar port call in 2003 made to the former Saigon, now called Ho Chi Minh City. Since then, military relations have continued to grow with high-level defense visits and exchanges.

The two sides recently began working together to clean up dioxin contamination from the defoliant Agent Orange. It was mixed and stored at the U.S. air base in Danang and remains one of the lasting legacies of the Vietnam War that killed some 58,000 Americans and an estimated 3 million Vietnamese.

The war ended in 1975 when U.S.-backed South Vietnam fell to northern communist forces and the country was reunified. The U.S. and Vietnam shook hands in 1995 and established diplomatic relations, signing a landmark trade deal six years later. Today, the U.S. is Vietnam’s top export market, while Americans are among the country’s leading foreign investors.
 

India doesn’t let blasts derail Pakistan talks

NEW DELHI (AP) — India brushed off speculation tying the Mumbai bombings to Pakistan and said Friday it remained committed to recently renewed peace talks with its rival neighbor. The moves showed how little appetite New Delhi has for escalating tensions in the region while it focuses on maintaining economic growth in the South Asian nation of 1.2 billion people.


While future revelations about the culprits in the blasts that killed 17 people Wednesday could still sabotage relations between the countries, the Indian government so far has rejected opposition demands for a heavy response against Pakistan.

On Friday, India said it was working out dates for the next round of negotiations expected this month between top officials from both countries. India doesn't let blasts derail Pakistan talks “The talks with Pakistan are on schedule,” foreign ministry spokesman Vishnu Prakash said.

Pakistan’s leaders had quickly condemned the blasts and have welcomed India’s measured response. In a statement Friday, Prime Minister Yousuf Raza Gilani “expressed satisfaction at the resolve of both Pakistan and India to continue with their bilateral dialogue, and not get deterred by terrorists’ designs to derail the dialogue once again.”

The coordinated triple bombings were the worst terror attack in India since 10 Pakistan-based militants rampaged through the city in November 2008, killing 166 people.

Investigators examined forensic evidence and footage from closed circuit cameras Friday for clues about who orchestrated the blasts. “People are being questioned on the basis of our previous database and known linkages. We also have identified the scooter in which one of the bombs was planted,” India’s Home Secretary R.K. Singh told reporters in New Delhi.

He also said investigators had intercepted an email sent from outside Mumbai but declined to give details. Intelligence analysts say the attack bore the hallmarks of the Indian Mujahideen, a shadowy Islamic militant group.

A former top Indian intelligence official told The Associated Press that Pakistan’s Lashkar-e-Taiba militant group has been providing ideological and physical training to the Indian Mujahedeen since 2004. Leaders of the Hindu nationalist Bharatiya Janata Party strongly criticized the government of Prime Minister Manmohan Singh for not taking a harder line with Pakistan.

“Manmohan Singh, sir, what is the nature of your relationship with Pakistan?” BJP spokesman Ravi Shankar Prasad asked angrily at a news conference Friday. Government officials have refused to take the bait. Home Minister Palaniappan Chidambaram said Thursday that investigators were not ruling out the possibility the attacks were aimed at scuttling the talks.

G. Parthasarthy, a former Indian ambassador to Pakistan, said it would have been counterproductive for the government to overreact, especially on something as important as peace talks, before a culprit was named. “If concrete proof emerges, I have no idea what the government will do,” he said.

The talks, though unlikely to produce concrete results because of political weakness on both sides, at least will lower the temperature between the nations, said Ashok Mehta, a retired Indian army general and leading strategic analyst.

“They’ve tried both talking and not talking, and the experience has been that talking is the most viable option,” he said.

In addition, cutting off talks would be a politically damaging admission of failure for Singh, who is already fighting off a raft of corruption allegations against his government.

“The prime minister has staked his reputation and his political fortune on being able to change Pakistan’s behavior and get them to live as peaceful and friendly neighbors,” Mehta said.

India and Pakistan, nuclear powers that have fought three wars since independence in 1947, had been engaged in reportedly fruitful negotiations before the Mumbai siege nearly three years ago.

India quickly broke off the peace talks, demanding Pakistan crack down on those accused in the attack, including Lashkar-e-Taiba. Last month, a Pakistani-American testified in a trial in Chicago that Pakistani intelligence was directly involved in plotting and funding the Mumbai siege, a charge denied by Islamabad.

Though India remained unsatisfied with Islamabad’s tepid effort to bring those responsible for the attack to justice, the two countries decided in February to restart a full-fledged peace process and have since held talks about the disputed region of Kashmir and the continuing threat posed by terrorism.

Pakistani political analyst Khaled Mahmood said India has in the past been quick to suspend talks or consider military options, but that they “didn’t gain anything out of it.”

This time, “the government’s approach has been more mature,” he said. “It’s a good development. The process is already on. If this would be interrupted, then it would take a lot of time and effort to resume it.” But Parthasarthy, the former ambassador to Pakistan, said India’s patience has limits.

“Tensions will flare if there is one more terrorist attack,” he said. “I don’t think next time around our response will be as Gandhian as it was in the past.”
 

Real Madrid 1-3 Barcelona in Santiago Bernabéu


Barcelona were the comeback kings at the Santiago Bernabeu as the champions recovered from conceding within the first minute to defeat bitter rivals Real Madrid 3-1 in the seventh and final Clasico of 2011. Jose Mourinho’s men took the lead after only 22 seconds when Karim Benzema grabbed the quickest goal in Clasico history. The home side were pegged back on the half hour mark when Alexis Sanchez grabbed an equaliser in his first league appearance against Madrid.

A Xavi volley took a fortuitous deflection off Marcelo to give the visitors the lead, before Cesc Fabregas’ header finished off a wonderful team move in the 66th minute in what proved to be the fixture’s final strike. The victory sends Barcelona level on points with Jose Mourinho’s men and to the top of the Liga table due to their superior head-to-head record against Madrid, who have a game in hand.
In one of the most astonishing starts in the history of the Clasico, Real Madrid were a goal to the good within 22 seconds. Victor Valdes’ poor clearance fell to the feet of Angel Di Maria who drilled the ball into the penalty area only for Sergio Busquets to block its progress. Mesut Ozil’s attempted volley deflected off Busquets into the path of Benzema to fire home six yards from goal.

Madrid were left to rue opportunities to double their lead when Barcelona drew level on the half hour mark with Messi on hand to turn provider. The 24-year-old bypassed several challenges before sliding a weighted through ball to Alexis Sanchez, who calmly slotted past Casillas from the edge of the area to bring his side back into the game and all square at the break.

After a edgy opening to the second period, Barcelona were handed the lead thanks to a large slice of fortune on 53 minutes. Xavi’s speculative volley 25 yards from goal took a massive deflection off Marcelo, fooling a wrong-footed Casillas with the ball spinning off the post and into the back of the net.

Cristiano Ronaldo, who had in the first half skewed a shot wide of the target when Di Maria was perhaps better placed to his right, then squandered a golden opportunity to level the contest. Xabi Alonso’s cross found the Portuguese completely unmarked inside the area, but his header drifted wide of the post.

Madrid were made to pay, as Barca extended their lead in the 66th minute after a breathtaking counterattacking move. Messi slid the ball out to the right for Dani Alves to whip a beautiful cross towards the back post where an unmarked Cesc Fabregas was on cue to coolly head the ball into the far corner in what was to be the final goal of a pulsating encounter.

Next up for Real Madrid is a trip to Ponferradina on Tuesday as they look to defend their Copa del Rey title. Barcelona now head to Japan where they will feature in the Club World Cup. Their first task will be a semi-final meeting against either Esperance or Al Sadd on Thursday.

Source : goal.com
 

Chelsea hierarchy must back me, says manager Andre Villas-Boas


Chelsea manager Andre Villas-Boas says the club's hierarchy should make it clear they back his vision for the Blues' long-term future. Speaking on the day before the club meets Napoli in the Champions League, Villas-Boas insists he is restructuring the club to "sustain" their success.

Villas-Boas maintains that he has the full backing of owner Roman Abramovich. But the Blues boss said: "These words would be more valuable coming from the top. I cannot keep saying them."

Meanwhile, Chelsea have been made aware of the alleged racist abuse of members of their squad when they arrived at the team hotel in Naples.

"If any members of our team or staff are subjected to racist abuse we would find that wholly unacceptable and it would be reflected in our conversations with Uefa," a Chelsea spokesman said.

Villas-Boas has presided over the club's least successful period since Russian billionaire Abramovich took control of the club in 2003, having not won a Premier League game since 14 January.

The West London side currently lie fifth in the top tier, out of the League Cup and facing an FA Cup fifth round replay at St Andrew's after being held 1-1 by Championship side Birmingham City at Stamford Bridge on Saturday.

But, despite having enjoyed just one win in six matches, Villas-Boas has issued a reminder that he is on a 'three-year project' at Stamford Bridge. He has already spent around £76m on seven players in his first season with five of those signings aged under 24.

"In terms of the results this year," added Villas-Boas. "The speculation is normal given the cultural past of this football club, but you have to understand that there's a different perspective now.

"We had a three-year project to change not only the team, but the culture and structure of the club.

"There's a lot we needed to do, a lot of plans. That's why I'm excited about the future.

"Having said that, we have to build a team to win trophies.

"We're no longer in the Carling Cup and don't have a chance to win the title. But we are still confident we can do well in the Champions League and the FA Cup." The club's joint top marksman Daniel Sturridge had insisted earlier in the day that they are not "a divided unit".

"We are a family and we've got a good unit going," the 22-year-old told Chelsea TV. "Maybe we will see that in the next few games."

Ahead of Tuesday night's last 16 first-leg tie against Napoli, Sturridge added: "They have some great individuals, as well as a good team. "But we have the same and we are not going to worry about what they have got.

"We have to go out there with the attitude that they have got to worry about what we have got." Fellow Blues striker Didier Drogba said: "We feel that no one really believes in us.

"We are going to show we deserve to be here. It's a top game and we are going to have to get a good result." Drogba denied that he gave a half-time "team talk" to Chelsea when they were a goal down in Saturday's FA Cup tie against Birmingham before coming back to draw, thanks to a Sturridge header.

"The manager made the speech at half-time," said the Ivory Coast international. "He has leaders in the squad and we are here to help him.

"We wanted to gee the team up at half-time and nothing more." Napoli will have to do without coach Walter Mazzarri, who must serve a two-match touchline ban for pushing over Villarreal's Brazilian striker Nilmar in a touchline spat in the group stages.

Mazzarri predicts that Chelsea's European experience makes the Italian side underdogs. "We will face a team who have played more than 100 Champions League matches," said the 50-year-old Napoli coach.

"We are proud to play this match but I don't want to hear anyone saying we are the favourite. We can find a result only if we play a great match.

"All the team has to play not only a special game, but the perfect game. It will be important for us that Chelsea will not score any goals at the Stadio San Paolo."

Source : www.bbc.co.uk
 

Speedweeks Open Strong for Nascar at Daytona

DAYTONA BEACH, Fla. - Kyle Busch twice appeared destined to destroy his race car, and twice used breathtaking saves to keep on running around Daytona International Speedway.

He probably shouldn't have been in position to race with the leaders. Yet there he was, bearing down on the finish line with a shot at winning Saturday night's exhibition Budweiser Shootout, and with a slingshot pass on the outside of defending NASCAR champion Tony Stewart, Busch pulled off a miraculous win in the first event of 2012.


Not too shabby of a start to the season.

NASCAR has every right to be giddy about Sunday's season-opening Daytona 500, a pivotal race in sparking interest at the start of a very long season. A rain-shortened event in 2009 set the tone for a rocky year, and two lengthy delays to fix a pesky pothole in the track surface impacted the 2010 season.

Then came Trevor Bayne's upset victory last year, and NASCAR never looked back. The 2011 season ranked among the best in years, and ended with a phenomenal race between Stewart and Carl Edwards for the Sprint Cup championship. The two ended the season tied in the standings, with the title going to Stewart on a tiebreaker.

All that momentum meant NASCAR could tweak very little during the offseason. Why mess with a good thing, right?

Well, not everything was sunshine and roses.

NASCAR officials said earlier this month that more than 80 percent of fans polled "hated" the two-car tandem style of racing that had taken over at Daytona and Talladega. Such a strong opinion forced NASCAR to spend a significant chunk of the offseason tinkering with the rules package in an effort to recreate pack racing before the Feb. 26 opener.

The Shootout proved NASCAR made the right moves, and the drivers seemed overwhelmingly in favor of the racing.

"It's pretty wild and crazy, but, I mean, I like this better than what we had last year, definitely," said four-time champion Jeff Gordon, who rolled his car several times and wound up on his roof for what he said was the first time in his NASCAR career.

Gordon's night ended seconds after he nudged Busch, triggering a chain-reaction crash that also led to Busch's second save of the race. It was one of three multicar crashes — the wrecks collected 23 total cars, set up a green-white-checkered overtime finish and resulted in the closest finish in race history. Busch's margin of victory was a mere 0.013 seconds, and his driving awed his competitors.

"I was right behind him ... and he had to catch it three times before he saved it," Stewart said. "When you get 3,400 pounds moving like that, to catch it one time was pretty big. To get away from him and catch it a second time was big. The third time was big. That's three big moments in one corner. He just never quit driving it.

"There's a lot of guys that wouldn't have caught that. I'm sitting there and the green is still out. I'm going, 'Man, that's the coolest save I've seen in a long time.'"

It was a redemption of sorts for Busch, who had to fight hard to keep his sponsors intact at the end of last season. Suspended by NASCAR for intentionally wrecking Ron Hornaday Jr. in a Truck Series race at Texas, primary sponsor M&M's told Joe Gibbs Racing it didn't want Busch in its car the final two races of the year.

His career was at a crossroads, and Busch worked hard during the offseason to repair his reputation. He referenced M&M's, which was back on his car for the first time since the company pulled itself off the No. 18 Toyota for the final two races of last season, during his Victory Lane celebration.

"First race back in the M&M's car, and we're back in Victory Lane. Pretty cool," Busch said.

There are other feel-good stories heading into NASCAR's biggest race of the year.
  • Danica Patrick will make her Daytona 500 debut, and the series is thrilled she's made the full-time move to NASCAR.
  • Dale Earnhardt Jr., NASCAR's most popular driver, had his best season in five years in 2011 and is excited about his chances in the Daytona 500.
"I like this kind of racing better. At least I know what to expect," Earnhardt said. "I feel like I have a better chance with this style than I did last year for damn sure."
  • Edwards bounced back from his loss to Stewart in the title race by winning the pole for the Daytona 500.
  • There's already some controversy, as the car for five-time series champion Jimmie Johnson failed inspection before it ever got on the track. Crew chief Chad Knaus will likely be penalized after the Daytona 500.
It's all setting the stage for Sunday, which is shaping up to be a strong opener for NASCAR. The race probably won't be 500 miles of three-wide racing, but if it's anything close to the Shootout, it's bound to be entertaining.

Source : nbcsports.msnbc.com
 
 
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